12.29.2004

US Airways Asks Workers to Work for Free

Wow, now US Airways is asking its employees to work for free (i.e. volunteer) over the upcoming New Year's weekend. Here is a quote from today's New York Times:

``If you are an employee scheduled to work in Philadelphia, you will get paid. Aside from that, we are asking for employees to volunteer, in an effort to prepare for a very busy travel period this coming weekend,'' David Castelveter, US Airways spokesman, told Reuters. Volunteers will be asked to meet and greet passengers at the ticket counters, security lines and baggage claim areas, as well as help on the ramp and the in the baggage sorting area.

As mentioned in previous blogs, I got caught up in the US Airways "meltdown" over the holidays. To be fair, I wanted to mention that my luggage was delivered to my front door step last night as promised, and nothing had been tampered with or damaged. So there is a fairly happy ending there. Of course, I did have to spend the night in Philadelphia unexpectedly, and US Airways will not pay for my $99 hotel room ($106 with tax). But I'm just so glad to be home that I barely care at this point.

Still, how can they expect workers to work for free over this upcoming holiday weekend? When did airlines become charities? I guess after 9/11. Obviously it is time for the airlines to rethink how they do business. Meanwhile, US Airways may have to liquidate by mid-January, no joke.

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12.28.2004

US Airways Loses My Luggage

I made it back to San Francisco after a 12-hour delay in Philadelphia, but my luggage is still missing, out there in the cold somewhere, no doubt piled up with thousands of other pieces of lost or mishandled luggage. I wonder if it got accidentally routed to Charlotte or elsewhere? US Airways has no customer service to speak of--their 800 number for lost baggage just hangs up on you when you choose option 2 to find out where your luggage went. When I did finally get through once, I was told by an automated voice (called "Alex," annoyingly enough) that my luggage has not yet been located--real helpful and informative.

Anyway, it looks like US Airways is toast as an airline. I feel sorry for all of their employees, and I know many worked extra hard to help us travelers survive our holiday journeys. Those who called in sick in Philly really suck though. They screwed their fellow co-workers who were left to pick up the slack, plus they screwed all of the US Airways customers. As I said to a friend on the phone, they just helped send US Airways over the edge of the cliff (into bankruptcy) that much faster. Maybe that was their goal. I had to spend the night in Philly because I couldn't make my connecting flight. Our plane actually landed on time for me to make my connection, but there was no ground crew available, and all of the gates were blocked by other planes, so we had to sit in our plane on the tarmac for over an hour before we could get off the plane. Then I ran to my connecting flight's gate (A25) which was way at the other end of the aiport. When I got there, the plane was still on the ground due to similar problems, but they had closed the doors and no one was even around to tell me that I couldn't board any more, but that was obvious. Then I had to wait in an insanely long line to get reticketed.

Oh well, I survived. I just hope my luggage isn't permanently MIA--it has all of my new Christmas gifts and favorite clothes in it. This concludes my rant session--happy f#*@$ holidays from US Airways!

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12.26.2004

Air Travel Hell

I'm sitting in the Charlottesville, Virginia airport waiting for my delayed US Airways flight to hopefully take off soon for Philadelphia. This will be a little like flying into the eye of the storm as Philadelphia is the airport reporting the most problems this holiday flight season. My luggage didn't make it on my flight from Philly to C-ville on the way here before X-mas. Some poor lady from the airline did drive it to my parents' house late the next day though, so I was luckier than some people. I think my flight is getting ready to board. People are lining up at the gate. I hear there's a snow storm out there.

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12.14.2004

It's A Wonderful Life


It's A Wonderful Life
Originally uploaded by franksutter.
I had to include an image from the movie, and a still from this scene with Jimmy Stewart and Donna Reed sharing the telephone was what I wanted. To me, this may be the most romantic scene ever filmed--it's about as emotionally raw as Stewart ever got that I can recall. They filmed it in just one unrehearsed take, and it was Stewart's first screen kiss since returning from World War II.

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Trivia About "It's A Wonderful Life"

I'm from a small town in Virginia, so I've always related to the film "It's A Wonderful Life." I even had a girlfriend in high school that I thought I might marry some day named Mary. Plus, my family owned and operated the local newspaper in an office building somewhat similar to the old savings and loan right downtown. Since this is the holiday season now (10 days to Christmas Eve), I figured I would share some of the trivia on IMDB.com about this holiday movie that some people are probably getting a little tired of, but that I really think captures something intangible and, yes, wonderful, about small-town American life.

Trivia:

-Films made prior to this one used cornflakes painted white for the falling snow effect. Because the cornflakes were so loud, dialogue had to be dubbed in later. Frank Capra wanted to record the sound live, so a new snow effect was developed using foamite (a fire-fighting chemical) and soap and water. This mixture was then pumped at high pressure through a wind machine to create the silent, falling snow. 6000 gallons of the new snow were used in the film. The RKO Effects Department received a special award from the Motion Picture Academy for the development of the new film snow.

-For the scene that required Donna Reed to throw a rock into the window of the Granville House, Frank Capra hired a marksman to shoot it out for her on cue. To everyone's amazement, Donna Reed broke the window with true aim and heft without the assistance of the hired marksman!

-Jimmy Stewart was nervous about the phone scene kiss (with Donna Reed) because it was his first screen kiss since his return to Hollywood after the war. Under Capra's watchful eye, Stewart filmed the scene in only one unrehearsed take, and it worked so well that part of the embrace was cut because it was too passionate to pass the censors.

-Dalton Trumbo, Dorothy Parker, and Clifford Odets all did uncredited work on the script!! (I can't believe Dorothy Parker worked on this particular film.)

-Very few viewers are aware of two lines in the film of "secret dialog" - spoken quietly through a door. (They can be heard when amplifying the volume, and are also explicitly depicted in the closed-captioning.) The lines occur at the end of the scene set in Bailey's private office with Bailey and his son George, and Potter and his goon present. After George raves to Potter that "you can't say that about my father", he is ushered out of the room by his father, then George is shown standing outside the office door. At that moment, George overhears the following two lines of dialog through the glass pane of the door behind him: POTTER: What's the answer? BAILEY: Potter, you just humiliated me in front of my son.

-Lionel Barrymore convinced Jimmy Stewart to take the role of George, despite his feeling that he was not up to it so soon after World War II.

-Originally ended with "Ode to Joy", not "Auld Lang Syne".

-Ironically, after the initial flop of the film at the box office, its popularity grew after its copyright expired due to a clerical error and it was shown repeatedly on American television (especially at Christmas) without any royalties going to Frank Capra.

Goofs:

-Audio/visual unsynchronized: When Mary and George are walking down the street after the dance, she asks him, "Well, why don't you say it?" The next shot George is heard saying, "I don't know. Maybe I will say it," but his mouth is not moving at all.

-Continuity: When George wanders across the street (soon to be joined by Violet), the man approaching him with the pipe suddenly becomes a woman.

-Continuity: In the first scene where George finds his brother Harry's grave, the year of death (1919) is clearly visible. The next scene, it is obscured by snow and George has to dig it out to find the year his brother died.

-Continuity: At one point George calls Violet (played by Gloria Grahame), Gloria.

Quotes:

-George Bailey: [yelling at Uncle Billy] Where's that money, you silly stupid old fool? Where's that money? Do you realize what this means? It means bankruptcy and scandal and prison. That's what it means. One of us is going to jail - well, it's not gonna be me.

-Uncle Billy: After all, Potter, some people like George HAD to stay at home. Not every heel was in Germany and Japan.

-George Bailey: What do you want, Mary? Do you want the moon? If you want it, I'll throw a lasso around it and pull it down for you. Hey. That's a pretty good idea. I'll give you the moon, Mary.
Mary: I'll take it. Then what?
George Bailey: Well, then you can swallow it, and it'll all dissolve, see... and the moonbeams would shoot out of your fingers and your toes and the ends of your hair... am I talking too much?

-Clarence: One man's life touches so many others, when he's not there it leaves an awfully big hole.

-George Bailey: You call this a happy family? Why do we have to have all these kids? (Perhaps written by Dorothy Parker?)

-Clarence: You've been given a great gift, George: A chance to see what the world would be like without you.

-Annie: I been savin' this money for a de-vorce, if ever I get a husban'.

-George Bailey: Now you listen to me. I don't want any plastics and I don't want any ground floors. And I don't want to get married *ever* to anyone! You understand that? I want to do what I want to do.





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12.13.2004

Sideways Review

I wrote a review of the film "Sideways" recently for Artdish.com, a Seattle-based "forum on visual art," so please check it out (see link below). Today they announced the Golden Globe nominations (precursor to the Oscars), and "Sideways" led the pack with seven nominations including Best Musical or Comedy, Best Director (Alexander Payne), Best Actor in a Musical or Comedy (Paul Giamatti), Best Supporting Actor (Thomas Haden Church), Best Supporting Actress (Virginia Madsen), Best Screenplay (Alexander Payne and Jim Taylor), and Best Original Score (Rolfe Kent). I'm a big advocate for this film because I thought it was truly funny and poignant and smart, all at the same time. So I hope it wins as many awards as possible. The actor Paul Giamatti deserves every accolade he can get for his work in this role, as well as last year's "American Splendor." Director Alexander Payne ("Election" and "About Schmidt") will likely continue to become one of the most important American directors over time.

This is fast becoming a film review blog, but I'll probably revert back to things literary soon. I just haven't been to any good readings lately. I'm currently reading "The Adventures of Augie March" by Saul Bellow because Aleksandar Hemon recommended it as the true great American novel. Of course, he lives in Chicago and the book is set in Chicago, so he may have a slight bias there, but I do think the writing is very vivid and rich, somewhat akin to a more modern-day Dickens. Charles Baxter said the last American writer to really take on describing the human face in detail was Saul Bellow, and I think this is clearly a good example of what Baxter meant. Bellow even goes so far as to say of one character that "her mouth's corner hairs were minutely apparent."

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12.10.2004

The Fog of War

I watched the Errol Morris documentary "Fog of War" on DVD again last night, so now I've seen it twice. As a reviewer says on IMDB.com, "It chronicles the life of former Secretary of Defense Robert S. McNamara, who served under the Kennedy and Johnson administrations." Actually, it chronicles McNamara's life simply by interviewing the man himself in front of a special camera (invented by Morris to put interview subjects more at ease) for several hours.

As it turns out, this makes for a riveting film (good enough to win an Oscar for Best Documentary). McNamara was born in San Francisco in 1916, so he has lived through a lot, most importantly World War II, the Cuban Missile Crisis, and the war in Vietnam. I'm not going to summarize any more because this is a film that's been out now since 2003, but what I don't understand is why this movie didn't generate more public dicussion than it did, especially here in the U.S.

McNamara, unlike members of the current Administration, is actually willing to admit that he made some mistakes when he was in office. He also talks about the "proportionality of war," largely in reference to what the U.S. did to Japan during WWII (we burned 78 cities in Japan to the ground by blanketing them with incindiary bombs and then, of course, dropped atomic bombs on Hiroshima and Nagasaki). I'm not here to argue over whether our actions can be justified or not, but what McNamara says is interesting. Basically, he acknowledges that if we had lost that war, several American commanders, including him, would probably have been tried as war criminals for their actions.

It is clear as you watch this film that McNamara's conscience does weigh heavily on him, as it would any "sensitive human being" (his term) who had to make the kind of decisions he had to make during his career. I would like to see us start to learn from our mistakes instead of continuing to repeat ourselves.

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